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ABAQ TANERAI
- PRINCIPLES OF TANERAIC
TANERAIC AT A GLANCE
Chronology:
1968: Taneraic came into being;
1978: The development of Taneraic was halted; the language between 1968
and 1978 is referred to as Proto-Taneraic, or pustanerai;
1988: The development of Taneraic resumed;
1998: Taneraic is introduced to the world via the Web; in August, the
30th anniversary of its inception.
The alphabet (Roman) consists of 25 letters (23 single
letters and two digraphs): a b c cy d e g h i j l m n o p
q r s sy t u v x y z
As Taneraic should be regarded as "phonetic" (in the
non-scientific sense), each word is pronounced as it is written.
Taneraic possesses a number of characteristic grammatical features, of
which the following is a small sample: (a) inflexion (declension); (b) no plural form in
substantives; (c) no gender; (d) no agreement; and (e) no conjugation. Taneraic also
possesses a number of features which have arisen since 1978: (f) suppression of articles;
(g) suppression of tenses; (h) new rules for verbs, including endings to distinguish
transitive from intransitive verbs; (i) new rules for verbs in negative and imperative
moods; (j) new rules for pronouns; (k) new rules for obsolete auxiliary verbs; and (l)
backformation of certain so-called radicals to reveal an affix.
Like English, word order is usually expressed by subject first,
predicate and object last. In the accusative, the indirect object usually precedes the
subject. Adjectives usually appear before the noun, but must follow if the noun is
inflected. Compound adjectives prefixed by dayole must follow the noun; compound
adverbs prefixed by mayole must follow the verb. Demonstrative adjectives follow
the same rule for adjectives.
General rules of grammar:
(A) Every word is to be read as it is written, taking the rules for
liaison into consideration. There are no silent letters.
(B) The tonic accent is monotone.
(C) Compound words are formed as in the principal radical or idea
standing first, followed by the unattached qualifying or relative radical. Grammatical
(case) terminations affect only the last part of the compound. Compounds are always only
composed of two elements in apposition (not counting unbound prefixes).
(D) Derivatives are formed with the use of affixes.
(E) If there is one negative in the clause, a second is not admissible.
MORPHOLOGY
1 The Sounds of Taneraic
(a) Vowels
a like a in father: ansib, hasyan, ma
e open (in closed syllables), like e in pet: bes,
cer, enda; or
closed (in open syllables), like é in the French pronunciation
of café: esqon, jabe, jescyub
i as vowel, like i in machine: gi, bisya,
ziyib; or
as semivowel (always after a consonant and before a vowel), like y
in yet: elexia, nienga, hiania; or
as mute (the schwa is an optional vowel pronunciation in radicals of
three or more syllables, which may be inflected, between consonants l or r),
like a in sofa or e in modern: esqirar, asyila, sanegira
o like o in standard British pronunciation of hot:
piyo, haroga, obequ
u as vowel, like oo in food: jescyub, busai,
pu; or
as semivowel (same rule as for i), like w in water:
nisua, vuitein, pua; or
as mute (same rule as for i, between consonants other than l
or r), like a in sofa or e in modern: macyuqi, seduja,
habuva
(b) Diphthongs
ai like French ai in travail: aiban, painos,
tanerai
au like German au in frau: aut, qauran,
vau
ei like French ei in seing: eijib, leinga,
cei
eu like French eu in jeune: euden, aireub,
reyeu
oi like oy in boy: esqoitir, haqoi, zoi
ou like ow in show: oubou, heibrouya,
syou
Note: The following pairs are never seen together: aa, ae,
ao, ea, ee, eo, oa, oe, oo and uu.
Should such pairs meet in affixation, the first a is dropped or a semivocalic glide
(y) is used.
(c) Consonants
b like b in bat or dab: baya, asban,
ansib
c like ts in fits: cecer, baca, tuca
cy like a "lean" tch in patch: cyaxa,
moudicyan, syacya
d like d in dog: dib, idou, beidu
g like g in get (never like g in gem
or sing): gehan, leinga, gigou
h like h in hat (aspirate even in final position):
hami, yahiqou, cah
j like French j in jeune: jebida, mijes,
pelija
l like l in long (but not like "dark" l
in soul): la, pula, malila
m like m in moon: mou, mamega, hami
n initial or medial followed by a vowel, like n in night:
nisua, baneb, tane
medial (followed by another consonant) or final, like nasalised
Japanese n in hon or Spanish n in ven: ansib, banga,
den
p like p in pat: peu, mepa, niape
q half-way between a glottal stop, like Cockney ck in knock-out,
and Arabic q in Quran: qab, semoqa, vayiq
r like trilled Italian r in caro: respa, sara,
mirta
s like s in sit (never like s in busy):
srin, iboson, ibis
sy like a "lean" sh in shoot: syen,
hasyan, rousyin
t like French t in ton or sept: ta, trepa,
saut
v like v in vat: viqu, peva, yevin
x like Greek Chi, Arabic Khâ or Scottish ch in loch:
xeb, cyaxa, soxa
y like y in yet (always used in an initial
position before vowels, or between vowels; therefore, it cannot be confused with digraphs cy
and sy): yabnu, buscyeye, heibrouya
z like z in zest: ziyib, jaza, ganza
Note: The names of the letters of the alphabet are
a, be, ce, cye, de, ge, he,
i, je, le, me, ne, o, pe, qe, re,
se, sye, te, u, ve, xe, ye, ze.
« Nu ge anraxidi qasyan e »tanerai«?» «Te, a, ne, e, re, a, i.»
"How do you spell ''Taneraic'?"
(d) Consonantal modifications
The following difficult consonant clusters, arising as a result of
affixation, are simplified by phonetic change:
b + g becomes gg: aibeb + ga > aibegga
b + p bb: aireb + pesoge > airebbesoget
b + z zz: sendeb + zon > sendezzon
q + g becomes qq: vicyeq + gun > vicyeqqun
s + c becomes cy: as + celin > acyelin
s + j sy: as + jun > asyun
s + scy scy: pus + scyoubri > puscyoubri
s + sq sq: as + sqou > asqou
s + sy scy: hus + sya > huscya
s + z c: as + zepir > acepir
t + c becomes c: saut + ceicya >
sauceicya
t + cy cy: mait + cyou > maicyou
t + d tt: uzeut + da > uzeutta
t + g tq: uzeut + ga > uzeutqa
t + j cy: saut + jebida > saucyebida
t + s c: saut + sangaya > saucangaya
t + scy scy: saut + scyoubri > sauscyoubri
t + sq sq saut + sqibaya > sausqibaya
t + sy cy: inmout + sya > inmoucya
t + z j: braut + zon > braujon
The two suffixes beginning with y, -yar and -yaris
may or may not undergo modification:
(1) radical of one syllable ending in a vowel (with or without prefix)
-- no change
ma + yar > mayar goma + yar > gomayar
(2) radical ending in vowels e, i, o or u
-- no change
zugie + yar > zugieyar reso + yar
> resoyar
(3) radical ending in ia or ua -- no change
resia + yar > resiayar pua + yar
> puayar
(4) radical of more than one syllable ending in consonant + a --
a + y becomes i
abda + yar > abdiar yusqa + yar
> yusqiar
(5) radical ending in i diphthong -- i + y becomes
li
rai + yar > raliar qoi + yar >
qoliar
(6) radical ending in u diphthong -- u + y becomes
vi
mou + yar > moviar nirou + yar
> niroviar
(7) radical ending in a consonant -- y becomes i
syen + yar > syeniar renbeq + yar
> renbeqiar
Note: It is very important to sound both consonants where they
are doubled: annai = an/nai; yabbou = yab/bou; uzeutta = uzeut/ta; lessou
= les/sou; mannali = man/nali; vicyeqqun = vicyeq/qun, etc.
(e) Vocalic modifications
Difficult vocal or vocalo-consonant clusters arising as a result of
inflexion (including the adjectival ending) or affixation are also modified:
(1) radical ending in a consonant -- no change
uzeut + a > uzeuta deyeh + u >
deyehu
(2) radical of one syllable ending in a vowel (with or without a
prefix) -- a semivocalic glide (y) is placed between the radical and the inflexion
ma + a > maya goma + u > gomayu
(3) radical of more than one syllable ending in a vowel
(1) a + a > á
abda + a > abdá zaba + a > zabá
tane + a > taneya zugie + a > zugieya
(3) i + a > ia (if preceded by consonant);
ya (if preceded by y); la (if diphthong)
remi + a > remia salayi + a > salayiya
qoi + a > qola
piyo + a > piyoya niamo + a > niamoya
(5) u + a > ua (if preceded by consonant);
ya (if preceded by y); va (if diphthong)
beidu + a > beidua rayu + a > rayuya
peu + a > peva
abda + i > abdi zaba + i > zabi
tane + i > tanei zugie + i > zugiei
remi + i > remí salayi + i > salayí
piyo + i > piyoi niamo + i > niamoi
(10) u + i > ui (if preceded by consonant);
yi (if preceded by y); vi (if diphthong)
beidu + i > beidui rayu + i > rayuyi
peu + i > pevi
abda + o > abdo zaba + o > zabo
tane + o > taneyo zugie + o > zugieyo
(13) i + o > io (if preceded by consonant);
yo (if preceded by y); lo (if diphthong)
remi + o > remio salayi + o > salayiyo
rai + o > ralo
piyo + o > piyó niamo + o > niamó
(15) u + o > uo (if preceded by consonant);
yo (if preceded by y); vo (if diphthong)
beidu + o > beiduo rayu + o > rayuyo
peu + o > pevo
abda + u > abdu zaba + u > zabu
tane + u > taneu zugie + u > zugieu
(18) i + u > iu (if preceded by consonant);
yu (if preceded by y); lu (if diphthong)
remi + u > remiu salayi + u > salayiyu
rai + o > ralu
piyo + u > piyou niamo + u > niamou
beidu + u > beidú rayu + u > rayú
Note: It can be seen from the table above that inflexion of polysyllabic
radicals may be summarised thus:
(a) a is a weak vowel, replaced in every case by á,
i, o or u
(b) when the inflexion is the same as the ending, an accented
form of the vowel is used: á, í, ó and ú
(c) a diphthongal inflexion is used where possible: ei, eu,
oi and ou
(d) a semivocalic glide is used where diphthongs are not
permissible: eya, oya and eyo
(e) i and u become semivocalic: ia, io,
iu, ua, ui and uo
(f) diphthongs ending in i and u change to l
and v respectively
(f) Semivocalic glide
The semivocalic glide (y) is used to link unassimilable
(a) inflexions to monosyllabic radicals: e.g., ma
+ i > mayi
(b) bound pronouns to monosyllabic radical verbs beginning with
the same vowel: e.g., va + aidi > vayaidi
(c) bound pronoun yo to verbs beginning with e or o:
e.g., yo + esocyada > yoyesocyada
(d) desinences to nouns ending in e or o: e.g.,
piyo + esti > piyoyesti
The semivocalic glide is also used to avoid confusion where two affixes
may overlap: e.g., va + as + sqoudi > vayasqoudi (cp.,
va + sqoudi > vasqoudi) -- the semivocalic glide thus retains the
integrity of the as- prefix.
2 Assimilation
Prefixes ending in -a and suffixes beginning in a- are
assimilated when the radical is more than one syllable in length (as we have seen,
radicals of a single syllable resist assimilation, with the interposition of a y
glide; the suffix -at is an exception to this rule, as can be seen in ma + at
> mat). Assimilation also occurs when an affix shares the same joining letter as
the radical: aga + aiban > agaibanat; hebula + asta
> hebulasta*; ema + idolia > emidoliat; garu + uvas
> garuvas; qiri + is > qiris.
* the desinence -asta is only assimilated with radicals ending
with -a; otherwise, it takes a y glide: ete + asta > eteyasta.
Prefixes ending in -a or the same letter as the initial letter of the
radical, and suffixes beginning in a- or the same letter as the final letter of the
radical of only one syllable resist assimilation, and so palatalisation occurs (a y
glide is inserted if necessary): tra + yen > trayen (not *trien);
aga + ab > agayabat (not *agabat); li + i
> liyi (not lí or lii).
Prefixes ending in a diphthongal i or u and radicals
ending in a diphthongal i or u change to the consonantal values l and
v: ai + aiban > alaibanat; au + ibi > avibit;
nai + yeva > nalievat. However, monosyllabic radicals and their
derivatives beginning with y resist further palatalisation and mutation: nai
+ yen > naiyenat (not *nalienat); pou + yeb > pouyebat
(not *poviebat); nai + yeu > naiyevat (not *nalievat).
The consonantal modifications mentioned above are an assimilation of
sounds. The question of liaison arises when these sounds are encountered in vocabular
apposition: e.g., yomas celindi ayoi qayenqa. In affixation, s + c
is not a permissible combination; it becomes cy. As mas is an unbound
causative prefix, is it to be expected that in spoken Taneraic, at least, that yomas
celindi should be pronounced yomacyelindi? Wherever unassimilable consonantal
clusters occur in syntactic units, liaison may occur as a matter of choice in speech, but
must not be written as such in standard language. Liaison does not occur in purely
vocabular apposition (e.g., piyot syarasa is pronounced piyot/syarasa,
not *piyocyarasa; oma urqevo is pronounced oma/urqevo, not *omurqevo;
etc.). Further examples:
compound: qab piotqin [qab/piotqin or qab/biotqin]
causative: mas jalindi [mas/jalindi or ma/syalindi]
habituative: vas ziquda [vas/ziquda or va/ciquda]
In English, tonic stress is often used to distinguish meaning,
particularly nouns from verbs, as in pérmit (n) and permít (v).
In Taneraic, morphemes convey grammatical meaning, whilst suprasegmental phonemes convey
inflexion. There is virtually no tonic stress in Taneraic words -- all syllables are
pronounced with approximately equal force and are given equal length. However, a mute i
or u (a remnant of Proto-Taneraic pronunciation, treated now as an option) is
pronounced with half the length of a single vowel; diphthongs are pronounced with double
the length of a single vowel; and accented vowels are pronounced with the greatest stress.
Final a should be given even stress, but may be pronounced with half the length of
a single vowel.
There is, as well, a certain amount of stress used for the sake of
emphasis, and sentence intonation exists just as it does in English (ni sentences
are usually spoken with a rising pitch, for instance).
A conversant knowledge of syllabification is necessary for correct
liaison and pronunciation: e.g., an e followed by a final consonant or
certain consonant clusters is open; a closed e is always at the end of a syllable.
It should be noted that sounds involved in palatalisation and vowel-glides (diphthongs)
are treated as separate syllables in poetry alone.
Below is a short text in Taneraic, showing, at a glance,
how words are divided into syllables, followed by a detailed breakdown of what constitutes
a syllable in a Taneraic radical: Va/he/mo/qa/da / e / sa/bri
/ zi/yib / yo/le / o/ma/sye/zat/ta / vau / a/vi / dar/peu / e/sqa /
va/va/s zi/qu/da.
(1) a syllable may begin with any vowel, consonant or y (but not
semivocalic u): as above
(2) consonants b, h, n, q, r, s
and t close syllables: yib, dar, zat
(3) if the consonant is b or t, it may be followed by an r
and then a vowel: bri
(4) if the consonant is s, it may be followed by cy, l,
m, n, p, q, r, t, v or x and then
a vowel: sqa
(5) a consonant or prescribed consonant cluster may be followed by a
semivowel u or a palatalised i (while ii may be found in derivatives,
the forms ii and uu are not found in any radicals): pua, sia
Other examples of syllable patterns in radicals: bou/ain
-- ab/deh --au/yar -- scyou/bri -- bou/yeu/qo/va
-- bu/scye/ye -- e/sla/cyeq -- hau/ya
-- hei/brou -- at/qa -- jaun/nu -- les/sou
-- mu/nuen -- tou/sueu -- saut/nu -- au/an/nu.
Another way to look at Taneraic morphology is to think of it as a
complex syllabary. The above describes a "syllabary" only marginally more
complex than the Japanese. For this reason, foreign words cannot be naturalised into
Taneraic without a great loss of recognition. (This is also true of Japanese -- who would
guess that kurafuto is English kraft?; in Taneraic, a naturalised form of kraft
would be *qirasta.) Foreign words, therefore, are not assimilated at all, but are
linked with an e ligative or living affixes: e.g., qaize e Francia,
French (language); omavejerati Poa, transpadane.
Initial capitals are used in Taneraic to begin a sentence. The lower
case is used in all other cases -- the days of the week, months, nationalities, names of
languages, etc., are not capitalised in Taneraic, unless an unassimilable borrowed
word has been used. Capitals are customarily used for the first word of a title.
Italics must be used for all unassimilable borrowed words, which are
treated in every case as proper nouns. Titles of books and works of art are usually
written in plain and enclosed in guillemets (« »). Titles of short stories, poems
and songs are written in italics.
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